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July 2016 (120.3)

Field Report

The Sanctuary of Artemis at Sardis: Preliminary Report, 2002–2012

The Sanctuary of Artemis at Sardis: Preliminary Report, 2002–2012

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Excavations in the Sanctuary of Artemis between 2002 and 2012 clarified problems of chronology and reconstruction. Evidence for occupation of this area in the Lydian period was ambiguous: pottery suggests that there was activity here, but no deposits were found. Surviving monuments from the Persian period include a calcareous tufa altar (LA 1) and a roughly square sandstone “basis.” In the Hellenistic period, a new temple was laid out with the sandstone basis in the center of its cella, while the tufa structure was incorporated within a larger altar. The Hellenistic builders thus constructed the largest temple possible between these earlier monuments, but they brought its west front so close to the altar that a normal colonnade on the front would not have been possible. In the Roman period, the temple was divided into two back-to-back cellas, and work on the exterior colonnade began on the new east front. Ceramic evidence indicates that the foundations were laid in the mid first century C.E. During this phase, the Hellenistic columns in antis still stood in situ, but the interior columns were removed, perhaps to accommodate colossal statues of the imperial family. The columns in antis were removed in late antiquity, during a major transformation of the building.

The Sanctuary of Artemis at Sardis: Preliminary Report, 2002–2012

By Nicholas Cahill and Crawford H. Greenewalt, jr.

American Journal of Archaeology Vol. 120, No. 3 (July 2016), pp. 473–509

DOI: 10.3764/aja.120.3.0473

© 2016 Archaeological Institute of America

The Zoninus Collar and the Archaeology of Roman Slavery

The Zoninus Collar and the Archaeology of Roman Slavery

This article analyzes slave collars of the fourth and fifth centuries C.E. as a way of contributing to current debates about the archaeology of Roman slavery. Taking as my case study the well-preserved Zoninus collar, I first trace its history in antiquarian collecting and publishing in the mid 18th century. This scholarship was characterized by a profound split between text and object that has had lasting effects on the material we have now and how we approach it. In the second half of the article, I propose a two-part remedy: reintegrating the collars’ visual, material, and textual aspects, and exploring the very different perspectives of slave owners, audiences, and collared slaves. Approached in this way, these objects illuminate the lived experience of urban slavery; they also show how deeply slavery was woven into Roman visual, epigraphic, and material culture. These artifacts thus have implications for drawing material culture more fully into the study of slavery, and slavery more fully into the study of material culture.

The Zoninus Collar and the Archaeology of Roman Slavery

By Jennifer Trimble

American Journal of Archaeology Vol. 120, No. 3 (July 2016), pp. 447–472

DOI: 10.3764/aja.120.3.0447

© 2016 Archaeological Institute of America

Vravron: The Mycenaean Cemetery

Vravron: The Mycenaean Cemetery

This volume is the publication of six different excavations that were conducted by Valerios Stais in 1895, by D. Theocharis and I. Papadimitriou in 1955–1956, by Nikos Verdelis in 1965, by Petros Themelis in 1972–1973, and by O. Kakovoyanni in 1984 (xxi). It presents both the cemetery and the acropolis of Vravron, including the site’s history, the various tombs, and their contents, in a straightforward and well-illustrated manner.

April 2016 (120.2)

Field Report

The Basilica, Bouleuterion, and Civic Center of Ashkelon

The Basilica, Bouleuterion, and Civic Center of Ashkelon

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Five seasons of excavation (2008–2012) undertaken by the Leon Levy Expedition to Ashkelon in the area of the forum of Roman Ashkelon (ancient Askalōn), a major seaport on the southern Levantine coast, have revealed a continuous sequence of occupation and building activity from the Hellenistic to the Crusader periods. Of primary interest are two monumental Roman phases: a first-century C.E. basilical structure that housed the city’s bouleuterion and a Severan enlargement and renovation of this building. Most of the Severan phase has been revealed, as well as substantial portions of the earlier basilica/bouleuterion phase and a monumental Hellenistic complex. This article provides an overview of these architectural phases, the evidence for their date, suggestions for reconstruction, and a conspectus of the pre- and post-Roman use of this area of the city. As some of the few systematically excavated examples of these building types in the southern Levant, these structures shed light on the principal monuments and the urban development of an important seaport at the height of its prosperity, and the evidence for the dismantling of the bouleuterion in late antiquity provides a glimpse into the end of Roman civic organization in an important city of the east.

The Basilica, Bouleuterion, and Civic Center of Ashkelon

By Ryan Boehm, Daniel M. Master, and Robyn Le Blanc

American Journal of Archaeology Vol. 120, No. 2 (April 2016), pp. 271–324

DOI: 10.3764/aja.120.2.0271

© 2016 Archaeological Institute of America

The Fate of Temples in Noricum and Pannonia

The Fate of Temples in Noricum and Pannonia

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The abandonment and destruction of temples in late antiquity has become the subject of widespread discussion in recent years. However, the provinces of the Danubian frontier have been left largely understudied in this respect. This article seeks to add new data and observations to this debate by determining several points regarding the temples of Noricum and Pannonia, including when a decline in their construction becomes evident, how sources of temple benefaction alter over time, and how these changes relate to building work undertaken across the civic sphere. It also looks at the abandonment of temples, focusing particularly on when they became common sources of spolia for other building projects, what evidence there is for the violent closure of temples, and who might have been responsible for this. I argue that there is an evident decline in the construction and restoration of temples from the early third century onward, while temple building materials became increasingly used as spolia from the Tetrarchic period onward. I also show that the violent destruction of temples in the fourth century was uncommon, and, in instances where it did occur, the identity of the perpetrators is open to interpretation.

The Fate of Temples in Noricum and Pannonia

By David Walsh

American Journal of Archaeology Vol. 120, No. 2 (April 2016), pp. 221–238

DOI: 10.3764/aja.120.2.0221

© 2016 Archaeological Institute of America

Reconsidering Technological Transmission: The Introduction of the Potter’s Wheel at Ayia Irini, Kea, Greece

Reconsidering Technological Transmission: The Introduction of the Potter’s Wheel at Ayia Irini, Kea, Greece

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This article examines processes of cultural and technological transmission by focusing on the effects of the introduction of the potter’s wheel. Since distinct production choices are tied to both micro- and macroscale processes that drive change in material culture, a study of such choices provides insight into processes of acculturation, technological transmission, and local social dynamics. The authors therefore examined macroscopically a large corpus of complete vessels from Ayia Irini, Kea, for evidence of the manufacturing technique(s) used in the production process. These locally produced pots, dating to the period spanning the Middle and Late Bronze Age in the Aegean (ca. 1900–1400 B.C.E.), when Ayia Irini acted as a hub of interregional exchange, attest to the adoption of the wheel by the local potters, presumably through contact with Cretan communities of practice who were already using this technique. Evidence for connections between local, Cretan, and Cycladic communities of practice is presented, and the reasons driving the process of innovation are considered. The results of this study confirm some established narratives about the introduction of the wheel but at the same time reveal significant differences between Aegean communities in their adoption of this new technology.

More articles like this: 

Reconsidering Technological Transmission: The Introduction of the Potter’s Wheel at Ayia Irini, Kea, Greece

By Evi Gorogianni, Natalie Abell, and Jill Hilditch

American Journal of Archaeology Vol. 120, No. 2 (April 2016), pp. 195–220

DOI: 10.3764/aja.120.2.0195

© 2016 Archaeological Institute of America

Space, Place and Identity in Northern Anatolia

Space, Place and Identity in Northern Anatolia

Compared with western and southern Anatolia, the Black Sea coast and the Pontic mountains remain poorly explored and underappreciated. Systematic excavations are still largely lacking, literary sources are scanty, and the available epigraphic and numismatic evidence has not been examined to the same extent. Anyone interested in developments in the area, especially in the Roman period, will find much of value in this volume.

Diva Faustina: Coinage and Cult in Rome and the Provinces

Diva Faustina: Coinage and Cult in Rome and the Provinces

Faustina the Elder (ca. 100–140 C.E.) was Augusta (empress) of the Roman empire for two years, from the accession of her husband Antoninus Pius to the throne in 138 to her death. She was the mother of Faustina the Younger (ca. 125/130–175) and adopted mother of the later emperors Marcus Aurelius and Lucius Verus. She was also genealogically linked to the emperors Trajan and Hadrian. Her name is prominently present on the inscription of the large temple in the Roman forum, dedicated to Diva Faustina and Divus Antoninus.

Art and Rhetoric in Roman Culture

Art and Rhetoric in Roman Culture

It has long been recognized that ancient rhetorical theory frequently deployed examples drawn from visual material, a point that has led to numerous explorations of the value of classical rhetoric for understanding art produced in different periods, including several rhetorically inflected interpretations of Greek and Roman art, such as those by Stewart (“Narration and Allusion in the Hellenistic Baroque,” in P.J.

The Roman Aqaba Project Final Report. Vol. 1, The Regional Environment and the Regional Survey

The Roman Aqaba Project Final Report. Vol. 1, The Regional Environment and the Regional Survey

The book under review is the first of a three-volume final publication series of the Roman ‘Aqaba Project (RAP), 1994–2002. The current volume focuses on the results of the Southeast ‘Araba Archaeological Survey (SAAS), which has previously been discussed in a number of preliminary publications and other work. The remaining two volumes still to be published will cover the excavations of Roman and Byzantine ‘Aqaba.

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