• Bartłomiej Lis

    Anthropological studies highlight the importance of food in constructing and negotiating various aspects of individual and group identity, including social status. Archaeologists have also explored this topic, working with various types of evidence and frequently applying a diachronic perspective that is usually inaccessible to other disciplines interested in foodways, such as anthropology.

  • Virginia R. Herrmann

    Monumental structures clad in relief-carved stone orthostats adorned cities across the fragmented political and ethnolinguistic landscape of the Iron Age Syro-Hittite kingdoms. This building practice passed down from the Hurro-Hittite Late Bronze Age evoked a collective memory of legitimate authority and was important for the construction of royal sovereignty.

  • Michael J. Taylor

    This article explores how Etruscan artwork presented soldiers in visual media during the Middle Roman Republic (ca. 300–100 B.C.E.), a period when Etruscan communities were required to contribute contingents to the Roman army. It proposes a class-based model for how Etruscans formulated their military identities. Elite representations, in particular cavalry combat on cinerary urns, displayed elaborately hellenized soldiers rather than Roman-style combatants.

  • Caitlín E. Barrett
    Includes Open Access Supplementary Content

    Despite long-standing scholarly interest in Roman “Aegyptiaca,” much work remains to be done to contextualize Egyptian or Egyptian-style material culture found in domestic settings. This need is especially pressing for “Nilotic scenes,” or wall paintings and mosaics depicting the Nile.

  • Josephine Shaya
    Available as Open Access
    Includes Open Access Supplementary Content

    Archaeology museums are one of the most important ways that our field communicates its findings to the wider public. The work of archaeology museums, however, is by no means simple. Archaeologists, curators, and museum directors have grappled with recent debates focusing on the politics of display, the cult of the masterpiece, the appeal to multiple publics, and the acquisition and ownership of cultural property. This is an exciting and fraught time for archaeological collections.